Faces Places

2017

Documentary

Synopsis


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April 12, 2018 at 05:16 AM

Cast

as Himself
as Himself
as Himself
720p 1080p
760.48 MB
1280*692
French
PG
23.976
01 hr 29 min
P/S 12 / 11
1.39 GB
1920*1038
French
PG
23.976
01 hr 29 min
P/S 18 / 15

Movie Reviews

Reviewed by SusanShop 10 / 10

Faces Places

Two extremely outside the box creative people, Agnes Varda, filmmaker/photographer and JR, photographer and owner of a photo van I want !! As they travel throughout France adding visual impact with the over-sized photos of everyday people, one can't help but be taken in by their enthusiasm for capturing their subjects. I went on their journey with them, and was thrilled when I saw the eyes on the side of the storage tanks. I remember passing them last year, and wondered who had done them.....now I know !! Great film !!

Reviewed by Howard Schumann 9 / 10

A life-affirming meditation on friendship, art, and mortality

89-year-old filmmaker Agn?s Varda ("The Beaches of Agn?s") said, "I have a nice relationship with time, because the past is here, you know? I've spent time, if I have something of my past, I'll just make it, nowadays, I make it now and here." Varda makes both past and present come alive in Faces Places (Visages Villages), 89-year-old filmmaker Agn?s Varda ("The Beaches of Agn?s") said, "I have a nice relationship with time, because the past is here, you know? I've spent time, if I have something of my past, I'll just make it, nowadays, I make it now and here." Varda makes both past and present come alive in Faces Places (Visages Villages), a life-affirming meditation on friendship, art, and mortality. Co-directed by JR ("Women are Heroes"), a 33-year-old hip French graffiti artist and photographer whom the director met in 2015, Varda and her companion make an unlikely couple. She stands out with her two-toned hair and diminutive stature and JR does a convincing Jean-Luc Godard ("Goodbye to Language") impersonation with his black fedora hat and dark sunglasses which Varda teases him about the entire film.

Both live life on the edges and do not live by the rules. "Chance has always been my best assistant," she says. Driving without any particular destination, they crisscross the French countryside in JR's van decorated to resemble a camera with a large lens on one of its sides. The travelers meet and take pictures of villagers, workers, and townspeople whom they immortalize with gigantic black and white portraits plastered on the sides of walls, old houses, container cargo, trains, and other objects. Playfully, Varda describes it like this, "We ended up with huge images of them after I made them express themselves. So it's a real documentary because we are careful about what they are, what they want to say. But also, we play our game, as being artists, making strange images or enjoying that people we meet becomes actors of our dreams."

The people they meet are former miners, waitresses, plant safety workers, truck drivers, and dockworkers and their wives in Le Havre. By himself on his 2,000 acre farm, a man laments the passing of the social aspects of farming, recalling how it was when three or four workers were always there for companionship. In other vignettes, a man and his son are responsible for ringing the church bell in a small village and farmers enjoy hand-milking horned goats, regretting that others cut off the goats' horns and do their milking with machines.Varda and JR also travel to an abandoned village which is suddenly filled with arriving well-wishers. They go to the Brittany seaside where she remembers the photographs she took of a young friend and fellow photographer during the mid-1950s, pasting an image of him reclining against a beach hut on a German bunker and telling JR how peaceful he looks resting there.

The slow pace of travel allows Agn?s to confront other memories from her past, including a visit to a small cemetery where photographers Henri Cartier-Bresson and Martine Franck are buried. After visiting JRs 100-year-old grandmother, JR asks her if she is afraid of dying. Varda answers in the negative. "That'll be that," she says." Reflecting on her relationship with the great director Jean-Luc-Godard, she recalls the time she spent with him, his then wife Anna Karina, and Varda's late husband, director Jacques Demy ("The Umbrellas of Cherbourg"). Agn?s and her friend then travel to Switzerland to meet with Godard, bringing the director a gift of his favorite pastry but he is not home. Unfortunately, their only communication is an enigmatic message left on his window pane. In her only sense of irritation in the film, Varda uncharacteristically expresses deep feelings of hurt.

Faces Places is a quiet celebration of what is most important in life, simple pleasures of companionship and collaboration, of art made real and accessible, and of the divine in the commonplace. Varda said it best, "I know that the seaside represents the whole world", she remarked, "the sky, the ocean, and the earth, the sand. And it's like expressing where is the world. It's about a calm sea, a calm ocean, just a very, very discreet wave ending on the sand. And that's a landscape that touches me a lot. But I know that also people feel that, too." It is hard not to be touched by her presence.

Reviewed by Jay David 9 / 10

An Oddly Wonderful Film for Some of Us

A 33-year-old man who never takes his sunglasses off to see the world as it is unfiltered, and an 88-year-old women who is losing her vision, collaborate on an artistic project that aims to evoke memories in the mind's eye of the viewers, without leaving a trace outside the viewer's mind. For those of us in the minority, who suffer from Excessive Attention Disorder and who value the past without wanting to live in or return to the past, it's a fantastic journey to a land of ordinary people who don't yet live in the friendless world of virtual reality. I'm not sure how generation ADD would take such a film. Of course, it's French-Belgian. So most Americans, especially people under 60, won't even it at all.

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